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Encompass New Opera Theatre
138 S. Oxford Street, Suite 1A
Brooklyn, NY 11217
718.398.4675 tel.
718.398.4684 fax
encompassopera@yahoo.com

Nancy Rhodes
Artistic Director

Mara Waldman
Music Director

Jazz Gala!

Save the Date! June 23rd

Click here for info and take a peak at our past galas.

The Diary of Anne Frank

Touring available for a Gertrude Stein musical trilogy. Click here for more information

Praise for Encompass New Opera Theatre

"The most distinctive music heard all season."
USA Today (for Only Heaven)

"An inventive and most pleasing triple bill."
—The New York Times (for Miss Havisham's Wedding Night, Ocean Dream, and I Will Wait)

"[Nancy] Rhodes is one of the most inventive directors of the theatre."
—The (Bergen) Record (for Elizabeth and Essex)

Upcoming Events

I TRE COMPAGNI

(The Three Companions)

The Three Companions

 

An Opera in Two Acts based on “The Pardoner’s Tale”

From Chaucer’s THE CANTERBURY TALES

 

Greed Is The Root Of All Evil

A Tale Of Lost Friendships

Set In Spain Against A Backdrop At The End Of

The War Between The Moors & Christians

 

Music and Libretto by Composer Louis Gioia
(Sung in Italian with Supertitles)
35 PIECE ORCHESTRA

 

WORLD PREMIERE
Friday, June 19 at 8:00 PM
Saturday, June 20 at 8:00 PM

 

The Gerald W. Lynch Theatre
At John Jay College
899 Tenth Avenue
Between 58th & 59th Streets
New York, NY


FEATURING
Shannon DeVine    •     Noah Stewart      •       Ulla Westlund
Mary Ellen Assue   •   Neal Harrelson   •   Raemond Martin
Brittany Palmer   •   Erica Rubin    •    Lara Stevens 
 
Caroline Abrahamson • Tytus Abrahamson • Nadine Earl Carey • Adrianne Hick
Maria Muller • Alivia B. Nielsen • John K. Patterson • Simone Singletary • Gates Thomas
Dancers:   Caitlin Cavanagh   •   Alyssa Kemper   • Fred Kull • Kayla Kull
Sarah Maneri • Steve Maneri • Justin Sherwood • Janet White

Conductor: Glen Cortese  •   Director: Nancy Rhodes   • Associate Music Director: Mara Waldman
Sets:  Damon Pelletier •  Costumes:  A. Christina Giannini •  Lighting:  Izzy Einsidler  •  Choreographer:  Justin Sherwood

 

 

ORCHESTRA SEATS

$65.00  BOX OFFICE

$55.00  ADVANCE

 

BALCONY SEATS

$45  BALCONY ADVANCE

$35  STUDENT/SENIOR ADVANCE

$25  THE BALCONY RUSH at 15 MINUTES

 

Tickets:  SmartTix

212 868-4444

www.smarttix.com

Smarttix


Critical praise for Louis Gioia’s Un Racconto Fiorentino:

Encompass New Opera Theatre assembled approximately one hundred of New York City’s most accomplished and dedicated musicians to participate in the world premiere at Alice Tully Hall. The result was a glorious, impassioned performance of a composition of great beauty and sincere interest... the forces on the Tully Hall stage performed with transcendent concentration, exemplary preparation, freedom and commitment.

Donald Westwood, Opera News, January 2001


I TRE COMPAGNI (The Three Companions)

Noah Stewart & Shannon DeVine 


photos by Chuck Japely


Ulla Westlund & Shannon DeVine

 


THE BONUS:

All Advance Ticket Buyers

Will Receive A By Invitation Only

Offer to THE THEORY OF EVERYTHING

Piano Reading of New Opera This Fall


CALENDAR



June 19, 20 2009

Encompass produces the world premiere of Louis Gioia’s opera
I Tre Compagni, The Three Companions

based on Chaucer’s The Pardoner’s Tale
at the Gerald W. Lynch Theatre at John Jay College
899 Tenth Avenue, NYC.


June 23, 2009

Chip Seelig and Bettye Martin Musham
Invite you to Encompass New Opera Theatre’s Jazz Gala

In celebration of the summer solstice, we invite you to hear the renowned jazz & cabaret artist Ann Hampton Callaway sing in a unique Tribeca loft with panoramic views of the Hudson, beautiful plantings and a lap pool that affords a spectacular setting for sipping wine and hearing music.

Good Wine,
Good Jazz,
Good Food!

And as a special treat Trio Jazz Brasil, Flutist Mark Weinstein’s trio plays World-based Jazz and Post-Bebop rooted in Afro-Cuban, Brazilian, African, Jewish and Indian traditions.

Your support will enable Encompass New Opera Theatre to continue its mission of discovering, nurturing and producing new musical works.

Date: June 23, 2009

Time: 7:00 p.m.

Place:  66 Leonard Street, New York City

Tickets:  $125.00

 

Please RSVP and send contributions to:
Encompass New Opera Theatre
138 South Oxford Street, Suite 1A
Brooklyn, New York 11217

FOR INFORMATION AND RESERVATIONS  718 398-4675
Visa/MC accepted.


The Penthouse Home of Chip Seelig at 66 Leonard Street, located between Church St. and Broadway in Manhattan, can be reached by taking the No. 1 Train to Franklin Street or the A, C, E Trains to Canal Street.

 


November 2009

THE THEORY OF EVERYTHING

Piano Reading of New Opera This Fall

A WINNER INDEED!!

Nancy Rhodes with baritone Michael Anthony McGee, First Place Winner in the 2008 Marie Kraja International Singing Competition in Tirana, Albania.  The competition was aired live on Albanian National Television.

Nancy Rhodes - Michael McGee



Ece Goksu and Cankaya in concert

AMERICAN IN SPIRIT, INTERNATIONAL IN SCOPE
Encompass Hosts Jazz Singer and Pianist from Istanbul

Turkish jazz singer Ece Goksu and pianist Can Cankaya delighted audiences at the Encompass annual holiday concert, Sunday, December 14th at the National Arts Club.

Ece is part of the Encompass Family. Her father Murat Goksu, a prominent opera singer and director for the Turkish State Opera, played Petruchio in Cole Porter’s KISS ME KATE when Nancy Rhodes directed this American classic at the State Theatre in Ankara. Later, Mr. and Mrs. Goksu, and their daughter Ece were on sabbatical in New York City when she was 10-years-old. Mrs. Goksu, a harpist for the State Symphony in Istanbul, thrilled Encompass audiences with a beautiful harp concert at sunset in Riverside Park. Now, some years later, Ece is a Fulbright Scholar and Can Cankaya, classical trumpet and jazz pianist, are both at William Patterson University in their prestigious Jazz Music Program. 

 


Encompass New Opera Theatre’s Newest Work-in-Progress

Notes from The Theory of Everything by Nancy Rhodes

Physics and science have been interests of mine since childhood, inspired by long walks through nature with my grandfather, a physics teacher. He taught me how to observe and analyze, to appreciate the invisible forces, and unleashed in me an insatiable curiosity to explore the grand design of our universe.

In 1987, I read an article in The New York Times about an astounding new physics theory postulating the simultaneous existence of at least ten dimensions, known as superstring theory. Pushing the envelope of the mind to embrace multiple dimensions, sister universes, and the possibility that everything from our bodies to the farthest star, is made up of vibrating strings, fascinated me.

During this time I was working in different countries; while riding on trains, I read metaphysical literature, Eastern philosophy, science, and poetry. Turkey was one of the places that resonated deeply within me, the ancient city of Ankara with its Hittite Museum, and Istanbul, the crossroads of Europe and Asia. I found layers of history everywhere, sensed ancient voices, as I walked through the ruins of Ephesus.

Upon returning home, it came to me in the middle of the night: Act I, Scene 1, a Planetarium. Thus began The Theory of Everything. The story revolves around the lives of 8-year-old Cassy, her mother Rachel, a documentary filmmaker, and her father Tomás, a quantum physicist from Brazil. A series of dramatic events catapault a scientific and metaphysical search into other dimensions and alternate universes.

Further research led me to the writings of physicist David Bohm and his ideas of a holographic universe, to Native American spiritual conferences, healing seminars, and the laboratories of physicists at Columbia, CUNY, and Princeton.

Nancy Rhodes and John David Earnest

The Theory of Everything’s composer John David Earnest has written extensively for orchestra, chamber ensembles, chorus, solo voice and opera. He writes, “in my conversations with Nancy over the past 2 years, I was immediately drawn to her concept of exploring the connection between spirituality and the physical world. In order to find a musical voice for these themes and Nancy’s libretto, I have chosen several eclectic sources ranging from tonally based melodic ideas to non-traditional musical structure and vocabulary.”

Look for new scenes in 2008!

Encompass is grateful for commissioning and development funds from Opera America’s Opera Fund, the Mary Flagler Cary Charitable Trust, and the National Endowment for the Arts, Access to Excellence.


Encompass New Opera Theatre is dedicated to creating a new home for American opera and new music theatre.

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© Encompass Theatre Company
138 South Oxford Street • Suite 1A • Brooklyn, NY 11217
(718) 398-4675 • encompassopera@yahoo.com